Food Web Diagram Free Essays

Mojave Desert Organisms * Planate (Vegetation) – Brittle Bush, California Juniper, Creosote Bush, Common Saltbush, Joshua Tree, Mojave Aster, and Triangle-leaf Bursage * Animalia (Animals) – Mammals include coyote, desert bighorn sheep, desert kit fox, spotted skunk, spotted bat, black-tailed jackrabbit, ground squirrels, kangaroo rat and white-footed mouse. Birds include eagles, hawks, owls, quail, roadrunners, finches, warblers and orioles. Reptiles include desert (Gopher Tortoise), several species of rattlesnakes and chuckwalla lizard * Micro-organisms – Fungi (penicillium), monera (mycorrhizae, lichens, azotobacter and streptomycetes, mycoplasmas, and cyanobacteria) Coyote Canus latrans * Organs are essentially the same as humans with minor adaptations * Lungs are bigger for more oxygen intake while being active * The part of the brain referred to as the â€Å"lizard brain† is slightly larger than that of a normal human * Unlike humans, they can digest raw meat with no negative side effects * Their metabolisms are faster They have a Jacobson’s organ that gives scent information to the brain The Roadrunner Geococcyx californianus * Reabsorbs water from feces and excretes excess salt through a nasal gland * Will extract water from its lizard prey * Reduces activity 50% during the heat of midday P C D Desert Food Chains Food chains allow us to examine the basics of how energy passes through an ecosys tem. We will write a custom essay sample on Food Web Diagram or any similar topic only for you Order Now Producer | Consumer | Predator | A food chain is sequence of plants, herbivores and carnivores, through which energy and materials move within an ecosystem. Food chains are usually short and not more than three or four links. They usually consist of a producer, a consumer and a predator, with the predator being the top of the food chain. The top of the desert food chain does eventually die though, and is returned to the bottom of the chain as nutrients by decomposers. Typical Desert Food Chains Mountain Lion Mule Deer Plant (forbs)| Coyote Quail Plant (shrub seeds)| Snakes Lizards Insects Plant (wildflower/grass | Hawk Snakes Rats Plant (seeds)| Typical Desert Food Pyramid Tertiary Consumers Carnivores These are high level consumers, carnivores that will eat other carnivores. Secondary Consumers Small Carnivores The predators are the secondary consumers. They occupy the third trophic level. Again we see cold-blooded animals, such as snakes, insect-eating lizards, and tarantulas. Only about 2 Kilocalories per square meter per year are stored in their bodies. In the harsher desert environments, they are the top predators. Primary Consumers Herbivores These animals are usually small and eat little. Many are insects, or reptiles, who are cold blooded and who use less energy to maintain their bodies than mammals and birds do. As food for predators, they provide about 20 Kilocalories per square meter per year for predators. Including: Ants and other insects, rats and mice, some reptiles the largest of which are the tortoise and chuckwalla. Primary Producers Plants These are plants that make food through photosynthesis. Limited by the availability of water, they produce fewer than 200 Kilocalories of food for the animals for each square meter each year. Including: Trees, shrubs, cactus, wildflowers, grasses Primary Producers: is occupied by the primary producers-plants. Plants produce energy from photosynthesis. Plants produce energy to use for survival, growth and to store when production resources are not available. Primary Consumers: Primary consumers are the animals that eat the plants. These animals, including insects, mammals, such as the desert pocket mouse, food is consumed and converted to energy. References Blue Planet Biomes. (2011). Mojave Desert. Retrieved from http://www. blueplanet Biomes. org/mojave_desert. htm Desert Wildlife. (2011). Digital-Desert. Retrieved from http://digital-desert. com/wildlife/ coyote. html Google. (2011). Google Images. Retrieved from http://www. google. com/imagres? q=†¦ How to cite Food Web Diagram, Essays

Effects of cartoons on children free essay sample

In light of the recent Super Bowl debacle, the harmful effects of media on children have once again become a hot topic in this country. One of societys most important and sacred responsibilities is to mold the future leaders of the U. S. during their impressionable years. Janet Jacksons breast baring has awoken America and moved legislators to remove lurid material from radio and TV. I recently testified in front of the House of Representatives to push for increased fines against broadcasters that air and performances that contain unsuitable content. However, what the mainstream press is not discussing is the adverse effects of animation on children. Kid friendly channels like Cartoon Network are no longer safe with its adult programming. Like the use of the cartoon character Joe Camel, children and their parents see cartoons and think safe product. But as we have learned that it’s harmful to give cigarettes to six-year-olds, we need to address the dangerous effects ofSpace Ghost and Harvey Birdman, Attorney at Law on our children as well. Cartoon related injuries are a serious topic that America has been avoiding for years. Dozen of our children each year fall prey to being over stimulated by crazed and/or super-powered characters. How many times will children be hurt under the guise of having fun? It is a note to AWNs balanced coverage of the animation community that it is willing to publish my case study on the adverse effects that cartoons have had on our youth. What you read may be disturbing, but as a concerned parent, grandparent or court appointed guardian, this article is a must read. Afterwards, hopefully each of you will join my call to ban all harmful cartoons. The first reported toon-related incident occurred in 1914, when a 9-year-old upstate New York boy fell from his pony while pretending to be Winsor McCay atop Gertie the Dinosaur. The prep school student was already an experienced rider, but was distracted during a routine trot by fanciful thoughts of bare-backing a brontosaurus. After the release ofSteamboat Willie in 1928, the number of cases of toon-related injuries skyrocketed. Strangely enough one of the most publicized Willie ward cases as the hospitals use to call them – was from the same upstate New York town that the aforementioned Gertie fiasco occurred. Many scholars in the field of toon-agedies have looked into the susceptibility of the New England states to toon-related occurrences. Some have linked it to harmful levels of cod in the groundwater, but others feel its simply due to the regions loose liberal attitudes. In the fall of 1928, young Dickie Johnson decided to take the family yacht for a spin around the lake. Unfortunately, the small boy was not yet an accomplished sea-fairing captain and he crashed the family heirloom into the dock, ruining his sister’s otherwise splendid cotillion. This incident spurred the first toon-related injury lawsuit. Dickies father, Gaylord Johnson, filed the case against Walt Disney and Ub Iwerks on charges of corrupting a minor and inciting mischief. When Dickie took the stand in the summer of 1929, he told the jury, I thought if a lowly, common mouse could drive a boat, surely I could too. In other damning testimony, the boys mother, Mrs. Virginia Johnson said, After seeing that crazed mouse in the theater, Dickie became a hellion. He just wouldnt stop tormenting the cat. He even fashioned his father’s ascots into a nest! Disney, not one to flinch from adversity, stood his ground. The case is officially still on the books. Luckily, after a short institutional stay, young Johnson grew out of his Mickey Mouse fixation and ended up founding the hugely successful Orkin Extermination franchise. Such cases grew and grew, as animated shorts became a staple in movie theaters around the world. However, a large spike in reported cases can be seen in 1937 with the release of the first animated feature, Snow White and the Seven Dwarfs. As chronicled in the Journal of Modern Psychology, hundreds of reports of children being poisoned by tainted apples during Halloween came flooding into police stations across the United States. Grumpy, Doc and their animated housemates were now unhinging the fragile minds of the mentally unstable. The film also garnered the distinction of gaining the first reported toon-related injury to a young girl. That up until this point, only boys had been traumatized can be attributed to the fact that most parents did not let their daughters leave their rooms until the start of World War II, when they went to work in munitions factories. In 1938 after viewing Snow White, 16-year-old Isabel Hart was inspired to take laudanum in a deluded attempt to secure a date to the fall formal. Subsequently, the teenager slipped into a coma for a week. Her mother, Rosie Hart, told the The Local Paper, I dont know what she was thinking. Me and her step-mom wouldnt have let her go to the dance anyway. She has chores to do. Like young Dickie Johnson, Isabel was rehabilitated after a four-year stint in the Lehigh County Metal Institute. After her release she went on to gain a solid job as a social worker helping neglected children. Undoubtedly, her toon-related incident spurred her desire to help other afflicted youth. Years later, Hart sued the Walt Disney Co. for copyright infringement on the feature film, Cinderella. Cases of toon-related injuries persistently increased each year after. However, yet another great rise in the number of incidents came in the dawn of television animation in 1956. For the late part of the 1950s, children didn’t begin speaking at a normal age, directly attributed to Gerald McBoing Boing. Many professional psychologists and government officials feared that it was a secret Communist plot to under-develop American childrens minds. Former Senator Joseph McCarthy even re-ignited his Communist fight against UPA and CBS the shows broadcasters soon after the series started airing. In an interview shortly before his death in 1957, McCarthy said in the magazine Capitalists For a Better Tomorrow, Its got red inked all over it. You know what UPA really stands for? Undemocratic Pinkoes for America. After McCarthys passing, many Boing-busters, as they were called, fought to have the show removed from airwaves. The group later lobbied against all harmful television productions. One of the group’s 1960 promotional pamphlets stated that, the avante-guard imagery in TV cartoons is clearly hallucinogenic and will inspire ruthless and care-free behavior in our young children when they grow older. Plus, they’re not funny. This idea later grew more prominent as the group compiled volumes of evidence against cartoon makers, showing thousands of examples of beat-nick behavior within many theatrical and television characters. The Boing-busters later discovered proof linking the entire hippie movement of the 1960s and 1970s to mind altering cartoons. Mina Joyless, president of Boing-busters during those turbulent years, in her plea to the U. S. congress in 1969, said, We can directly link this new generations confused sexual identity to Looney Tunes shorts. Bug Bunny often gleefully without shame cross-dresses. In one such short, Bugs Bunny marries Elmer Fudd, who wears a white wedding dress. The homoerotic undertones are obvious, but what is more disturbing in the prevalence of bestiality. The case against animation was weakened once a liberal study released at U. C. Berkeley presented the notion that the U.S. school system was a far greater factor in the under-development of American youth than anything seen on television. Though the scholars were later discredited by allegations that they drank wine in a hot tub, unfortunately, the damage to The Cause had already been done. Though they failed to rid television and movie houses of damaging cartoons, Boing-buster did however, bring toon-agedies into the public consciousness. No longer could animators hide their willy-nilly leftist thoughts under the guise of childrens entertainment. America was taking note of the harmful mental and physical damage that cartoons were producing. However, with everything good comes some bad. Films like Fritz the Cat, Yellow Submarine and Mad Monster Party? were now free to say, Okay you figured us out and make cartoons with no shackles of self-restraint. Luckily, the conservative Reagan administration of the 1980s created a more sterile environment in America. Brilliant marketing by the Boing-busters made U. S. audiences disregard liberal art animations as flower power frivolities, rendering them uncool to the younger generation. Cartoons like The Care Bears and The Get-A-Long Gang acted as sedative elements in childrens lives, counteracting the detrimental effects of Woody Woodpecker, Tom Slick and Tom Jerryreruns. However, the decade did see the most publicized toon-related injury case ever brought to court. The complex lawsuit was brought against all the major cartoon studios for years of continued mental anguish, reckless endangerment and inciting criminal acts. This court case was the first brought against a cartoon creator by an adult who was first afflicted as a child. The family of Devin Grimm filed the suit against Walt Disney, MGM, Universal, Fox and Warner Bros. for years of mental abuse. The case rested on the foundation that between the ages of 2 and 17, Devin had watched approximately 20,956 hours of animation. The daily â€Å"toon† onslaught had left Mr. Grimm mentally unstable, socially inept and tragically â€Å"unhip. † Like many other caring modern parents of the atomic age, Devin’s mom and dad thought the TV would raise their kid to be a useful member of society like many scientists of the time believed. Instead, their son was turned into a reclusive and dangerous lunatic. By age five, Devins parents Mac and Beth Grimm, noticed that their son had developed strange speech patterns, pronouncing rs as ws and ending sentences with beep, beep. † He would only speak seven phrases â€Å"heavens to mergatroid, Whats up doc? , Thats all folks, Exit†¦ stage left, No need to fear. Devin is here and This program was brought to you by the rich chocolaty taste of Ovaltine. His parents were generally unconcerned, finding the behavior rather cute. However, his seemingly innocent cartoon-induced impersonations turned into a nightmare overnight on the first day of kindergarten. Much like any number of famous cartoon characters that flashed through his brain Devin came unglued. If he wasn’t sitting in the corner pounding his head with a large mallet or defiantly trying to disprove the laws of gravity, he was perched atop a row of tall file cabinets screaming, â€Å"Ah, ah, ey, ey, tookie, tookie! † Throughout his elementary school years and into his tweens, Grimm was kicked out of school after school. This is the period where his superhero obsession took hold. So convinced he had superpowers, he would refuse to take off his cape and eat his mothers meatloaf, running away from the table screaming â€Å"You’re trying to rob me of my powers with that insidious Kryptonite log. † He suffered minor burns one night trying to summon the powers of Greyskull with a metal spatula thrust into an exposed light socket. Moreover, signs of a split personality surfaced, when he began maniacally tying female classmates to cafeteria benches, then leaping back to save them later after changing into various odd leotards in a nearby janitor’s closet. As Devin reached his teens his behavior became more deviant and more violent. At age 13, Devin started smoking corn cob pipes exclusively and muttering cocky statements under his breath. No female student teacher was safe from his wolf whistles, howls and screams of â€Å"Aoogah! † In 1984 at age 15, soon after his parents divorce, Devin became very reclusive and began watching more and more cartoons, refusing to watch more normal teenage male programming like sports and sitcoms like Charlies Angels or Mr. Belvedere. During the trial Mrs. Grimm observed, This was the time he began sawing the furniture and speaking in a Canadian accent. We thought it was some kind of teen fad. Grimm’s obsession with animation had by now grown into a full-blown addiction. Much like a junky, Grimm had to feed his need for the most obscure animated programming at any cost. At first, he just borrowed money to purchase bootlegs copies of films like Coal Black and de Sebben Dwarfs, Thank You Mask Man, and Private Snafus Booby Traps. He left a trail of worthless IOUs all over town. He started devising irrational schemes to gain cash. He was once found at a Williams Sonoma frantically rubbing a copper kettle screaming, â€Å"It’s mine all mine, all mine! † In another incident, he threatened to shoot chickens in the frozen foods section at a local supermarket with a Super Soaker filled with BBQ sauce if they didnt lay a golden egg. Unable to show his face at any of the town’s video stores, Devin hatched a plot to get his hands on a complete collection of Krazy Kat. After eating three cans of spinach and painting anchors all over his face, Devin hid out all night on the roof of Bob’s Video store, where he had hoisted an anvil by a rope and lay in wait for the owner to open up shop. At 9:00 am the next morning, as the owner approached, Devin’s ill-fated plan went awry. Not realizing the rope was also wrapped around his foot, he let go of the anvil too soon, which landed 10 feet in front of the owner, pulling Devin off the roof and onto the rear bumper of a nearby Pinto, causing a tremendous explosion, which burned the hair off all the cats in the adjacent pet stores window display. Grimm was institutionalized after he was ruled not fit to stand trial for the assault. Dr. Buster Mirth took Devins case and soon learned the extent of damage cartoons had inflicted on the teenage boy. After two years of extensive counseling, Dr. Mirth urged the Grimms to file suit against the animation community. The case went to trial on March 7, 1989. Once, Devin took the stand the trail hit a fever pitch. After two hours of cross-examination the lead lawyer for the defense, Dean Gulberry, asked Devin, So Mr. Grimm, you cant maintain adult relations or hold a steady job. Are you blaming this all on cartoons? Devin replied, This doesn’t look like Miami Beach! I musta taken a wrong turn at Albuquerque I mean in adolescence and it has led me to this state, varmit. Race, Dr. Quest, quick, get the transfibulizer! Soon after, several of the studios settled out of court. 20th Century Fox continued on and was eventually acquitted. It seems that so few people had ever seen a Fox cartoon that no one could prove they had any real negative effect on society. Disney finally forced the lawsuit to be thrown out after convincing the judge that Grimms lawyer had stolen inflammatory animation cels from the companys dumpsters. At the age of 24, Devin was released from the mental institution. However, like most addicts, getting clean and going straight was just too much for him to handle. In 1992, after drifting in and out of halfway houses and homeless shelters, Grimm took a job as a writer on the USA Network animated series, Duckman. As the 1990s rolled in, toon-agedies reached an all-time high. The appalling effects of such irreverent cartoons asThe Simpsons, South Park and Pokemon, have been so well documented I will not delve into them here. Pepe LePew cartoons have been linked to teen pregnancy, Goofy shorts to careless â€Å"extreme sports† injuries and Snorksto scores of teen suicides. When will this stop? We must follow the example of Turkey and take broadcasters of detrimental cartoons off the air. Future generations need to be free to grow up unabated from the tyrannical thumb of cartoonic oppression. Dr.Ruebert Saturnine III is a professor at the New Jersey Online University and is the current vice-president of the Boing-busters. He would like to wish you all a happy April Fool’s Day and thank iStockPhoto. com for the use of its images. Cartoons Triumph of the nerds The internet has unleashed a burst of cartooning creativity Dec 22nd 2012 IN 1989 Bill Watterson, the writer of â€Å"Calvin and Hobbes†, a brilliant comic strip about a six-year-old child and his stuffed tiger, denounced his industry. In a searing lecture, he attacked bland, predictable comics, churned out by profit-driven syndicates. Cartooning, said Mr Watterson, â€Å"will never be more than a cheap, brainless commodity until it is published differently. † In 2012 he is finally getting his way. As the newspaper industry continues its decline, the funnies pages have decoupled from print. Instead of working for huge syndicates, or for censored newspapers with touchy editors, cartoonists are now free to create whatever they want. Whether it is cutting satire about Chinese politics, or a simple joke about being a dog, everything can win an audience on the internet. This burst of new life comes as cartoons seemed to be in terminal decline. Punch, once a fierce political satire magazine whose cartoons feature in almost every British history textbook, finally closed its doors in 2002. The edgier Viz magazine, which sold a million copies an issue in the early 1990s, now sells 65,000. In the United States, of the sprawling EC Comics stable, only Mad magazine remains, its circulation down from 2. 1m in 1974 to 180,000. Meanwhile, the American newspaper industry, home of the cartoon strip, now makes less in advertising revenue than at any time since the 1950s. Cartoons go way back before newspapers. They have their origins in the caricatures and illustrations of early modern Europe. In Renaissance Germany and Italy, woodcuts and mezzotint prints were used to add pictures to books. By the 18th century simple cartoons, or caricatures, circulated in London coffee shops, lampooning royalty, society and politicians. Popular engravers such as William Hogarth and James Gillray came up with tricks we now take for granted: speech bubbles to show dialogue and sequential panels to show time passing. But it was the combination of the rotary printing press, mass literacy and capitalism which really created the space for comic art to flourish. In Britain Punch coined the term â€Å"cartoon† in 1843 to describe its satirical sketches, which soon spread to other newspapers. In the United States, the modern comic strip emerged as a by-product of the New York newspaper wars between Joseph Pulitzer and William Randolph Hearst in the late 19th century. In 1895 Pulitzer’sSunday World published a cartoon of a bald child with jug ears and buck teeth dressed in a simple yellow shirt: the Yellow Kid. The cartoon gave the name to the new mass media that followed: â€Å"yellow journalism†. Newspapers filled with sensationalist reporting sold millions. They even started wars. But in an era before television and film, it was the cartoons—filled with images of the city and stories of working-class living—which sold the newspapers. With most papers reporting much the same news, cartoons were an easy way for proprietors to differentiate their product. After the success of the Yellow Kid, both Pulitzer and Hearst introduced extensive comic supplements in their Sunday papers. Like the papers that printed them, comics rose and died quickly: the Yellow Kid lasted barely three years. But as the newspaper industry overall grew, so too did the funnies pages. By the mid-1920s one cartoonist, Bud Fisher, was paid $250,000 a year for â€Å"Mutt and Jeff†. By 1933, of 2,300 daily American papers, only two, the New York Times and the Boston Transcript, published no cartoons. That was the golden age. During the second world war, paper rationing forced comic strips to shrink on both sides of the Atlantic. Afterwards, the rise of television news culled the number of dailies and all but wiped out evening papers. With less competition, newspapers relied less on cartoons to sell copies. Comic books filled some of the gap, but unlike the newspapers, these were mostly for children. By the 1980s most newspaper cartoon strips were controlled by a small group of syndicates whose executives saw them primarily as devices to sell licensed merchandise. Childish cartoons with weak, universal jokes thrived—think â€Å"Garfield†Ã¢â‚¬â€while more interesting artists struggled to find an outlet for their work. When authors retired, successful strips were handed down to new artists like real estate to avoid jeopardising merchandise revenues. â€Å"Mutt and Jeff†Ã¢â‚¬â€tired by the 1950s—continued until 1982.

Competitive Eating Exposed free essay sample

It is a muggy July day in a packed amusement park in New York. Thousands of people are crowding around to catch just a second of the next twelve minutes. The smell of hotdogs and lemonade is more abundant that any of the other smells at this time. This is July 4 at Coney Island. The Nathan’s Famous Hotdog Eating Contest is about to start. In the next twelve minutes over sixty people will eat at least ten hotdog and as many as sixty! Competitive eating is an exciting sport that anyone can take part in. There are many organizations for competitive eating, but the most famous is the International Federation of Competitive Eating or IFOCE. There are many events each year. The foods eaten at the event will vary for each event. In New Orleans, there is an oyster eating contest. In Philadelphia, there is a very famous chicken wing eating contest. We will write a custom essay sample on Competitive Eating Exposed or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page There are two different types of events. There are events with set time limits and events with set food amounts. In the first there is a set amount of time and the eater sees how much they can eat in the time limit. The Nathan’s Famous Hotdog Eating Contest has a set time limit. An eater has twelve minutes to eat a lot of hotdogs. The latter of the events has a set food amount; this means that the eater sees how fast they can eat an amount of food. In the ‘90s, when competitive eating was only famous on extreme sports channels in Japan, an American eater was invited to Japan to take part in an interesting challenge. He was taken into a room and was given 30 square feet of sushi arranged in a line. He ate the sushi in a little over thirty minutes. In New Orleans another event with a set time limit took place. At Acme, a seafood restaurant, oysters on the half shell were being sold a $.50 a piece. Crazy Legs Conti, a local eater, went there and ate over two hundred oyster s. His picture and his record can still be seen framed on the walls. The rules of the sport are very simple and can be explained in three words. The slogan â€Å"Eat Lots Fast† summarizes the rules is a very important phrase for some eaters. The contestant wants to eat as much as they can. If they throw up, they are disqualified. After the event an eater is on the honor system, if they want to throw up they can, but that is cheating and God knows. Before last year, the world of competitive eating was dominated by one man. This man was the Japanese Takeru Kabayashi. Kobayashi is one of the greatest competitive eater ever. In the 2005 Nathan’s Famous Hotdog Eating Contest he ate 56? hotdogs. This was a personal best and beat the world record set by him the last year. The closest person to him was Sonya Thomas who ate almost 35 hotdogs. One reason Kobayashi eats so quickly is his technique. He eats two at a time. He grabs two hotdogs and rips them in half. The two halves in his right hand he dips in lemonade and eats in one bite. He repeats this process with the two halves in his left hand. Another reason he was so unbeatable last year was that while he ate he was constantly shaking his body from side to side. This movement is referred to as the Kobayashi shake. By shaking his stomach while he eats, the food in the stomach is compressed to create more room for more hotdogs. It was also rumored that before the eat-off he ran twenty mile and ate nothing so that he would have all the room in his stomach and no fat on him. One would think that in competitive eating your size would not matter, but in actuality it matters as much as it does in other sports. According to the â€Å"Belt of Fat Theory,† the stomach can expand until the skin on the outside of the body cannot expand anymore. If this is true, then an eater does not want anything to interfere with the expansion of the stomach. Fat will get in the way of the stomach’s expansions ca using the eater to get full quicker. This year Kobayashi was defeated. In his second year as an eater, American Joey Chestnut ate 66? hotdogs; Kobayashi ate 65. Before the eat-off Kobayashi said that he was having jaw problems and may not be able to perform at his best. Would Kobayashi have been able to eat 67 hotdogs if he had been in perfect condition? No one knows. If Kobayashi ate 67, would Chestnut have been able to respond and eat 68? No one knows. Jaw problems aside, the 2008 Hotdog Eating Contest will be one worth watching. Competitive eating is the quickest growing sport in the United States. It is quite simple and most people practice more than once a day. Watching the events are very exciting and when someone watches the events they might be watching history since a record is set a almost every event. This year’s Hotdog Eating Contest had a huge record shattering result. It was also exciting to watch someone who the year before ate twelve hotdogs beat someone who ate fifty in 2007. Competitive eating is an exciting sport that everyone can take part in.

Impact of World War I on Gender and Social Relations free essay sample

Impact of World War I on Gender and Social Relations in Europe BY elektra0915 How did World War I change gender and social relations In Europe? The consequence of the first world war not only Impact on the soldiers In the military, but also greatly changed the societies of the European countries. As a result, the victor countries from this total war preserved their governmental system and social order, and also become stronger; while the defeated nations suffer a lot from the war especially by the treaties signed after the war. The war has ultimately changed the traditional way of living and also the idea of gender. Mainly because of nationalism, Join the army was considered as a heroic thing to do for men. The governments propagandas are everywhere to make people believe that its proud to Join the army. One of the photography from Britain shows a boy plays soldiers toy sitting on the ground, and a girl asks her daddy about war story from the book. We will write a custom essay sample on Impact of World War I on Gender and Social Relations or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page The Influence of the propagandas Is great. Almost everyone Is proud of Join the military. While the men go to war, most works are left to the women at home. Traditionally, women were not allowed to be educated and work In the public. Women were mainly depend their lives on men. However, because of the war, massive weapons, supplies, and foods were required. Thus, women were encouraged to work in the factories and back up for the men in the front line. When women work in the factories, they get paid and they dont have to depend on men to sustain their living. When women become more and more independent, they start asking for their own right. Women start to attend public schools to get educated. The first women college opened in Cambridge College. When women learn knowledge, they start thinking of Enlightenment about equality. They ask for voting right and begin the uffrage movement throughout the Europe. The first voting right for women was finally granted In Finland. Not only gender changed In Europe, but also many revolutions take place In many European countries such as Russian, French and Britain. In France and Britain, the war brings a return to traditional forms self-conception. In Russia, the war led to a complete revolution in political and social relations; the tsar fell because of the difficulties brought on by the war. Germany and Austria-Hungary saw their monarchies come to an end. Because of the war, most countries experienced a hardship economic downturn. In Russia, food shortage, declining in purchasing power, and less availability of goods finally lead to the rebellions. One major change is the abolish of serfdom. In Germany, the country signed an agreement of paying huge amount of money to the victor country. What the government do is to print a lot of money, thus lead to sever inflations in Germany. The war has both bad and good impacts on the societies of European countries. People died In the war and also died because of starvation after the war. The economy was depressed In some countries. However, the progress was also huge In ost countries especially in the women movement.

My Last Duchess Cel Essay Example

My Last Duchess Cel Essay Example My Last Duchess Cel Essay My Last Duchess Cel Essay Essay Topic: The Coquette The Heart Goes Last The text I have selected to discourse is My Last Duchess’ by Robert Browning. which was written in 1842. My Last Duchess is a dramatic soliloquy of one side of a conversation between a Duke and a Count’s courier who are negociating a matrimony to the Count’s girl. The Duke’s address about his Last Duchess’ reveals possibly more than he foremost intended to. The Duke shows the Count’s envoy a picture of his Last Duchess. ’ he talks lovingly of the picture and goes on to depict the Duchess. He describes her as beautiful. easy pleased and coquettish. The scene of this verse form is the sixteenth century. where adult females were considered mere ownerships. objects. kid carriers. –not people– and taught to obey orders without contradiction. which could be punishable by decease. In this essay I intend to discourse what I consider to be the poem’s intent and significance. In My Last Duchess the Duke appears to be a really proud. covetous. and good educated adult male. He complains that the Duchess treats his gift to her of a 900 twelvemonth old name as if it were of the same value as the bough of cherries and the white mule given to her by some officious’ sap. He is genitive and commanding. and it is his covetous nature that causes the duchess’s decease. It would non be just to state that the Duke ordered for the Duchess to be disposed of. merely because she flirted with other work forces. he gave her warning and she disobeyed him. In the sixteenth century this would hold been considered a great abuse. Womans were treated as slaves. and if they disobeyed their hubbies or male members of their household so they would be known as an embarrassment to their household and their hubbies. who would hold nil more to make with them. The duchess insults the duke. who is already covetous of her relationships’ with other work forces. who has given her warning. and who she has insulted and go an embarrassment to. the Duke feels he has no other pick but to dispose of her. The Duke chooses his words really carefully when discoursing the decease of the duchess with the minister plenipotentiary. dropping merely little intimations. but giving adequate grounds to take us to believe that did so get rid of her’ . Her decease would hold been quiet and discreet ; which I believe would hold been the Duke’s manner. no dither and no incommodiousness for the duke. Due to the rubric of the verse form. and how the duke describes the duchess as simply his last’ . doing it appear as though there has been many duchesses before her. She was his trophy married woman. and he prided himself on holding a beautiful. immature married woman. but was unable to command his green-eyed monster over those who besides appreciated her beauty. I think the duke has married many times to procure land. money and more significantly. power. The Duke craved power. money and wanted the perfect married woman. who was beautiful and followed his every bid. The Duke is covetous of the manner the Duchess treats other people. non because he loves her and wants all her love for himself. but because he wants her to admit his power over her. The Last Duchess’ was a immature miss when she married the Duke. she could hold been around 13 or 14 old ages old. At this age. although she is old plenty to cognize right from incorrect. and will non be every bit immature as a 10 or twelve twelvemonth old. it is dubious that she is old plenty to get by with so much duty. to be married to the duke for the remainder of her life and to avoid going an embarrassment to her household. To the reader. she may look as if she is simply smiling at other work forces. thanking them for their gifts and crimsoning at regards. Though. to the duke she is smiling at other work forces. the same manner she smiles at him. this causes him to worry that she is being unfaithful. She besides rates his gift of a nine-hundred-year old name the same as any other old gift. non genuinely understanding the value and importance that he believes his name to be. She blooms and smilings. when paid regards. naming that spot of joy into her cheek. of which the Duke is so genitive over. He besides comments that She had a heart- how shall I state? - too shortly made glad. excessively easy impressed ; she liked whate’er she looked on. and her expressions went everyplace. By stating this. he is connoting that she was excessively easy impressed. she liked anyone she seen. and she looked at everyone. The duchess. is immature and immature. she has been warned by the duke she must halt flirtation with other work forces. or face the effects. She sees the Duke’s weak topographic point. his green-eyed monster over her. and returns to tease him. possibly smiling at work forces when she knew she was being watched. this finally. is the cause of her death- her inability to halt smile. He says. Oh sir. she smiled. no uncertainty whene’er I passed her ; but who passed without much the same smiling? This grew ; I gave bids ; so all smilings stopped together. There she stands as if alive. The duchess still smiles at the duke. but besides at anyone else who passes. this annoys the Duke. who. when she disobeys him has decided that he can non take it any more. It all of a sudden dawns on the reader that the Duke has non stopped her from simply smiling. he has stopped her from take a breathing. it is a chilling disclosure. He has ordered her to be disposed of. and so he all of a sudden changes the subject back to the picture. about as if he can’t be bothered to discourse the affair any farther. I think the Duke and Duchess may hold had feelings for each other. and instead than appreciate the feelings of the Duke. she decides to ache them. to badger him. to do him covetous. demoing her immatureness and her naivete of disregarding his warnings. In the opening scene of the verse form. the Duke describes the picture. That’s my last Duchess painted on the wall. Looking as if she were alive. I call that piece a admiration. now. This could easy be mistaken for fancy of the duchess. but he is truly congratulating the picture. He casually tells us that it is his Last Duchess’ on the wall. non trouble oneselfing to call her. as if she were his ownership and refers to her as my. ’ He comments on the painter’s accomplishment and ability to paint her. doing her expression as if she were a existent individual in forepart of them. When the duchess was being painted by Fra pandolf’ . the painter pays her a compliment. which calls a spot of joy to her cheek. which the Duke feels should be reserved merely for himself. He is careful non to uncover his feelings towards the Duchess. although he does unwittingly through his green-eyed monster. He did care for the Duchess. possibly he did non love her. or possibly he thought of her as a ownership and was selfish. declining to portion her smiling with anyone else. but he did hold feelings for her. These feelings grew. and so did his green-eyed monster. the consequence of which unhappily ended in the Duchesses decease. The duke was. at first. lenient with the Duchess. leting her to chat up with other work forces. and when it becomes excessively much for him. warning her. and when she does non take attentiveness of his warning and he worries that his repute will be tarnished he has to move. and act he does. with the Duchess’s decease. Although. at the terminal of the verse form. he asks the minister plenipotentiary to lift. to run into the company that is waiting downstairs. they discuss the dowery which the Duke will have when he marries the Count’s girl. The count so moves on to discourse the statue of a walrus. which he describes the same as he did the picture . doing it look that he did so hold no particular feelings towards the Duchess. and he values the walrus. the same as the duchess. I believe that this verse form is set in the sixteenth century. in the Renaissance period. where the Italian nobility ruled Italy. the hapless had no say and the aristocracy at the clip treated adult females like slaves. In this period of clip. it was unacceptable for a adult female to demo her legs. excessively much of her weaponries. to be caught entirely with other work forces. whether they were guiltless or non. or to be unloyal to those who had taken attention of her. The verse form is set in the duke’s palatial’ house. there could be so be a party downstairs. perchance to compliment the Duke and the Count’s girls future nuptials. There will be many of import people invited. such as the Count. his girl and his tribunal every bit good as many other of import people of the clip. The minister plenipotentiary. after discoursing the dowery with the Duke. will return to the party. to speak to the Count and it will be decided the size of the dowery. and whether the nuptials will go on. This is an of import party for the Duke and he will desire to demo that he has wealths. wealth. power and influence to the Count. so that he will be acute for his girl to get married the Duke. The Duke’s house is large. and filled with art. he seems the type of individual to hold retainers who will be taking attention of the party downstairs. The chief subjects of this verse form are wealths. wealth. power. green-eyed monster and the male dominated society of the sixteenth century. Though there is no subject of love in this verse form. this is non grounds that the Duke did non love the Duchess. he may hold loved the duchess so much. that he could non bear to see the Duchess coquette with other people. The wealths. wealth and power are conveyed through the blue scene of this verse form. the people involved. such as the duke. the count. the duchess. the people who they consider to be below them. such as the minister plenipotentiary. the officious fool’ who gave the duchess a bough of cherries and a white mule that could non perchance compare with the duke’s 900 twelvemonth old name. There is a running subject of green-eyed monster throughout this verse form. and besides a sense of paranoia. the Duke sees the Duchess smiling at other work forces and the thought signifiers in his head that she is traveling to go forth him for anyone she smiles at. Therefore. in decision I have tried to demo what I consider to be the poem’s intent and significance. I have tried to demo how the duke was genitive over the duchess. how she tormented and teased him. how he eventually could non take any more. and she was disposed of. How he did hold feelings for her. but valued her every bit much as a statue of a walrus made out of bronze. How he discusses his Last Duchess’ and his hereafter duchess as if they were points. used for fiscal addition. The duke’s green-eyed monster is a running subject throughout the verse form. and he is unable to command it. or the duchess and he did non desire to lose face to the remainder of the nobility. The Renaissance was a clip when the violent death of adult females for the simplest of things was considered politically right. I have besides tried to demo that I consider this poem’s intent and significance to be about the Duke’s green-eyed monster and low ego regard to do him c onceive of that the Duchess is traveling to go forth for him for anyone and everyone.

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